Buying what I’m selling

I am pleased to report that I’ve sold not one, but two things, to excellent places.

The first is a short story, to a time travel anthology by Flame Tree Publishing. You can read the announcement of the ToC on their site; stay tuned for information on where and how to buy a copy. Many thanks to my multiple beta readers, who helped me whip it, into shape, shape it up, get straight, okay I’ll stop with the Devo now.

The second is a poem, to the inimitable Uncanny Magazine. I’ll link the issue when it goes live. It’s about my grandparents, and the afilador who drives around town looking for knives to sharpen. If you’ve never heard the afilador’s whistle, it sounds like this.

50 Shades of PoC

It started with a rant, and a poll, and me griping about things on the internet (as I am sometimes wont to do) to people who also have gripes.

Then Silvia Moreno-Garcia asked me to be on a small panel to talk about some issues PoC writers face when writing and publishing.

The discussion is, I think, pretty great, in the way that getting things off your chest in the hopes that the world will improve is great, and not feeling alone in certain experiences is great, and reading smart thoughts from smart people is great.

Check it out, stay woke, or if you’re not woke then get a cafecito and a pastelito y no jodas tanto.

Let me explain.

No, there is too much. Let me sum up.

My story “A Diet of Worms” was published in the October issue of Nightmare Magazine, for their People of Colo(u)r Destroy Horror! special. Read it, fear it, send me all your gummy worms. There’s an associated interview, if you want a peek into the inner workings of my story mind and don’t get enough of that from Twitter ramblings.

Since it was published this year, the story is eligible for awards. I’m not sure which ones, precisely, but you could nominate it for some if you enjoyed it.

In other news, I had the enormous pleasure of attending Viable Paradise in October, which deserves a lengthy and glowing report that I will likely get to after NaNoWriMo has released me from its cruel tentacle-y grasp. I learned things, I wrote things, but more importantly, I made friends with some of the finest humans around.

In conclusion, this cat is snoring. Please do not wake him.
img_8552

SF Signal Mind Meld: Our Recent Faves from the Lighter Side of Genre

The operative question for this Mind Meld was: What books have you read, especially recently, that you’d recommend to others as a temporary vacation from the slings and arrows of our current world?

Because I am nothing if not consistent, I once again mentioned Diana Wynne Jones, whose work never fails to put me in a chipper mood. I also offered up my most-reread duology by Patricia C. Wrede, because I’m a sucker for Regency romance.

There are a ton of great recommendations there, so check it out. You can apologize to your wallet later.

Creative versus technical imagination

Wonderbook has a great discussion about creative imagination versus technical imagination. If you don’t already own it, consider this a soft sell. Break some pots, cut some tall grass, get sufficient rupees together and take them to your local shop ship.

Anyway.

Your creative imagination is where your ideas come from, and what you should ideally be using to write your first drafts. It’s the weird stuff, the delirium and the dark bits, what happens in dreams such that you wake up and feel unsettled or awestruck. It’s usually the place where your excitement to write comes from as well, the unrestricted child-mind that delights in the act of creation without worrying about the final product.

Your technical imagination, on the other hand, is what you use to take all the creative stuff and arrange it into a pleasing and understandable form. It’s still imaginative and creative because you have to make thoughtful choices when it comes to structure and diction and syntax and imagery and so on. But it’s kind of like the difference between designing a building and drawing up its plans so someone else can put it together.

It’s really important to let the creative part do its job without the technical stuff getting in the way. It’s not that the two are inherently, completely separate–there’s a lot of overlap, especially as you level up your writing skill. But often when you lose the spark that got you writing in the first place, it’s because the technical imagination is taking over too soon. Some people call this the inner editor, but that voice is often more disparaging than constructive, so it’s worth separating the two.

Okay, explanations are fun, but how do you make it stop?

Unfortunately, that’s a really personal thing, because it often ties into mental health issues. So what works for one person may be useless to another. Some things you can try:

  • Setting a timer for ten minutes and writing the whole time without stopping. Take a break, repeat as needed.
  • Meditating before you start writing, so you’re more focused and relaxed.
  • Noting while you write when the technical imagination or inner editor starts being generally critical or distracting you with revision notes, then returning your attention to the actual writing. Noting is just an acknowledgement of the thing; don’t focus on it or give it any mental space beyond that.
  • Creating some kind of outline before you start, in whatever format you like, to whatever degree of detail helps rather than hinders.
  • Fostering friendships with people so you can encourage each other whenever you’re flagging.

Last note: don’t let guilt and fear take over your writing process. Guilt for not writing consistently. Fear of producing garbage, or of running out of ideas. Your time is your own, and you choose what to do with it. You don’t owe anyone anything. Write whatever you want, however you want, and let other people decide whether they want to come along for the ride. That doesn’t mean you shouldn’t strive to write well and improve as you go, but don’t get so bogged down in mechanics that your creativity starves. Find the thing that makes you WANT to write and feed that first.