New Strixhaven story: Off the Record

Ral Zarek (or is he) looking smug as he poses with his hands over chest, in a fashionable black, white and gold outfit, birdlike Inklings flying around him, a Silverquill building behind him

My side story for the upcoming Secrets of Strixhaven set, “Off the Record,” is finally available to read online! I’m so excited by all the speculation this is causing. Red string sales have skyrocketed. Silver fox jokes abound. My delight levels are over nine thousand.

Every time I write for Magic: the Gathering, I have these dueling impulses. How do I make something that fully embraces the depth and breadth of lore in the multiverse, while also feeling personal and accessible to me, living on our planet, in our time?

When I was asked to write this specific story, I read and reread all the Strixhaven material I could find to see what might be cool to include. There is so much! And yet there are also many gaps and unexplored places, names that are mentioned but not explained, dangling threads begging to be woven into new parts of the larger tapestry. Not to mention things that amused me to invent whole cloth. Who wouldn’t queue up for a Void to scream into?

Since this focused on a Silverquill character, and specifically a journalist, I really wanted to dig into notions of how words can be manipulative. They can inspire, and they can insult. They can reveal truth or obfuscate it. A glance at virtually any news headline today, clickbait or propaganda or otherwise, is ample proof of the ways we bend words and phrases to alter perceptions of reality.

The same can be said for photography, which I have somewhat casually invented an analog for among the Prismari students. The angle of a picture, what is included and what is left out of the frame, which precise moment is captured in a series of connected moments, what context is known or unknown about the subject—all of these things and more can manipulate the viewer in a multitude of ways.

There are so many additional psychological challenges that come into play as well, the intricacies and fallacies of logic and argument that Silverquill students would no doubt be trained to understand and use themselves. People are fallible, and sometimes the most fallible of all are the ones who think they know all the tricks and are immune to them. Being good at reasoning can also make you very good at rationalizing and lying to yourself. Social engineering can be more dangerous than any machine.

College students in particular can be extra susceptible to the kinds of manipulation that prey on their unique hopes and fears. We all, on some level, want to be admired for our skills, and are often positioned to be rewarded or punished for our performance by authority figures. Teenagers can be both malleable and fragile, learning and growing and developing their senses of self as they figure out the adults they want to become. The desire for positive feedback and in-group status can lead to some very bad choices indeed.

Silverquill is also fun for how its color combination manifests. One of the school’s core traits is ambition, which can be a positive force, pushing you to do better and be better for noble purposes. It can also lead to crab mentality, to climbing over your peers and kicking them on your way up so they can’t excel more than you. It can be cooperative or competitive, invigorating or soul-consuming. It can make you take dangerous risks for the elusive promise of praise and prestige, even if your intuition—or your Prismari friend—is warning you.

You may notice I’m dancing around discussing the new professor Ral Zarek and his role in all of this. Guess you’ll have to buy your own red string and start a murder board about it.

The main story for the set should be arriving later this month, so stay tuned. You can also preorder Strixhaven: Omens of Chaos by the inimitable Seanan McGuire, which comes out in April. If you do, you’ll get a special Strixhaven Command Tower card to add some mana to your pool.

Until then, as the Silverquill might say: may your style be sharp, and your wit be sharper.

Add a New Edge to your sword and sorcery

the three covers of the 2026 hardcover editions of NESS, featuring a pair of Mongols battling a giant monster, a barbarian wading through water in a cave with a monster's eyes gleaming in the background, and a snail knight trying to escape a strange cloudy malestrom

New Edge Sword & Sorcery, aka NESS, is a magazine that’s been slowly growing since its inception a few years ago. You may recall when the publisher, with guest editor Jay Wolf, put out the Beating Hearts & Battle Axes anthology that I wrote a story for. (You can buy that now, if you haven’t yet!)

For the next week-ish, they’re crowdfunding this year’s issues, which include the usual S&S fare, along with a special dying earth-themed selection. As a stretch goal incentive, I’ll be writing a sword & sorcery flash fic for one of the issues!

As of the time I write this, they’ve just unlocked another author pay raise and a story by June Orchid Parker. There are still a few other goals between that and my story, but that just means there’s a lot to look forward to: digital art, bonus fics, and the lucky people who unlock the goals get special prizes as well.

I’m not only a stretch goal for this, I’m also the copy editor, which means I get the chance to see all the stories in advance. I’ve already edited a half dozen of them, plus a nonfiction article by Catherine Lundoff, and this year’s crop is looking great, as usual.

If you’re like me, you maybe watched the Conan cartoon as a kid, loved the aesthetics and the swords and the magical shuriken, then drifted away from the genre because it didn’t feel like it was for you. In my case, it was mostly the objectification of women; why read S&S when I could instead indulge in other kinds of fantasy where sexist stuff happened with less frequency and force?

What I love about NESS is that they’re working to change that, while still keeping the cool bits. The range of voices and perspectives is broader, but the snakes are still big and the swords are still sharp.

So! Let’s see if we can ride this hype train to the end of the line and unlock a bunch of fun stuff. As the NESS folks say, swords together!

Angie & Christie Write Now!

image containing headshot of Valerie plus the covers of four books including Witch You Would, and the Angie & Christie Write Now logo in the bottom right with the Strong Women, Strange Worlds logo

A few months back, I had the pleasure of being interviewed for the Angie & Christie Write Now podcast, and the episode is finally out! Give it a listen when you get the chance.

If you peruse their channel, you’ll find other cool interviews, Q&As and book recommendations from various authors as well. So you can start by listening to me yammer, then dive into the backlist. Backlisten? That’s a word now, I just decided.

Your keen eyes may also detect the Strong Women, Strange Worlds logo in the above image. They’re an organization dedicated to showcasing women and nonbinary authors of science fiction, fantasy, and horror. They host regular virtual live readings, with a few coming up quite soon! Check them out as well.

Witch Is Mine cover!

Emelia and Sebastian inside hearts looking at each other, floating papers and magic sparkles flanking them, text reads Witch Is Mine Coming Soon! liaamador.com

If you’ve been waiting for word on the sequel to Witch You Would, the wait is over! Witch Is Mine preorder links are now up, and so is the extremely adorable cover by artist Jess Miller.

The benefit of writing a sequel, in terms of cover art, is that you’ve already set a precedent. It’s good to maintain the format of what you’ve already got in some way, and change up the details to fit the new book. Cohesion! Continuity! You love to see it.

The challenge, then, is to figure out what to keep and what to change. What exactly do you want to add in terms of different elements? What are the symbols you can pull from the text and plop into the art so readers can judge your book by its cover?

For Witch You Would, I knew I wanted butterflies and a slate, and the rest was up to the artist. For Witch Is Mine, I asked for books and peacock feathers. I also requested a dragon plushie, providing some sample photos of how I’d love it to look. Why these things specifically? You’ll find out when you read it!

Without further ado, check out these two nerds! I can’t wait for you to meet them.

cover of Witch Is Mine, with Emelia on the left wearing a pantsuit and holding a pink fireball, a blue dragon plushie wrapped around her neck, Sebastian on the right holding a book wearing a vest and bowtie, between them a stack of books with papers and peacock feathers flying out of the top open book

You may remember Emelia, Penelope’s sister, from the first book. Here she is, in all her professional yet resting-murder-faced glory! Sebastian is a new character, a stoic cinnamon roll librarian who loves his bow ties. Bow ties are cool, as everyone knows.

Right now, the book is set to release on October 9th, but discussions are in progress about potentially pushing that back to the beginning of next year. I’ll be teaching at Viable Paradise again in October, and for those of us in the US, that time is probably going to be… stressful, to say the least.

We shall see what unfolds! I’ll keep you updated. Meanwhile, join me in gazing raptly at this cover and emitting the occasional excited squeal and kicky legs. And hey, drop a preorder if you’re so inclined!

WriteHive Silent Auction

WriteHive logo, a honeycomb covered in circuit lines and circles, with a black computer chip in the center that reads "WriteHive"

Starting today, aka Giving Tuesday, WriteHive is holding their 2025 Silent Auction fundraiser!

I have three things up for bidding. You can get a 30-minute coaching call with me, where we can talk about whatever writing, publishing or career things you’d like. Or, if you want a signed/personalized book, you can bid on a copy of either Where Peace Is Lost or Witch You Would.

WriteHive is a 501(c)3 non-profit organization dedicated to helping writers achieve their goals. They have a variety of events and programs dedicated towards that purpose, including free virtual conventions and a year-round Discord.

All money raised will go directly to funding operations, allowing their volunteers to bring more opportunities to the writing community. You can win signed books, manuscript critiques, bookish merch, and other cool stuff.

Take a peek at the full list of what’s up for grabs here: https://www.32auctions.com/WriteHiveAuction2025

Bidding closes on December 17th, so mark your calendars and don’t miss out!

Latinx/Hispanic Heritage Month reads

Every time I use the word “listicle” it immediately turns me into Beavis and/or Butthead and I start chortling. For those who don’t know, it’s a portmanteau of list and article, and possibly it never caught on as a widespread term because of its inherent silliness.

That said, I was asked to write one for People.com, and so I did! If you want a list of “9 Hot, Witchy Books to Read for Hispanic Heritage Month” then make with the clicking and enjoy the new additions to your TBR pile.

I stuck to a very specific theme, as you can see, which means I necessarily left out a LOT of great romance books by Latine authors. Thankfully, I’m not the only person out here writing listicles (chortle).

“9 Romance Novels That Will Transport You This Latinx Heritage Month” covers a whole range of romance options, including queer and historical romance. So does this list by Mia Sosa. A bunch of the authors have huge backlists, so you’re doing yourself a favor by grabbing one of their books. It’ll give you a lot more to read if you find something you like!

For books beyond romance, this sale ends today, but if you hurry over to Bookshop.org, you can grab a whole bunch of 2025 Latinx in Publishing Recommended Books for Latine Heritage Month for 20% off!

Last important note: today is the final day to grab the hardcover Aardvark Book Club version of Witch You Would. It’s extremely awesome! Next month, a whole new set of cool choices become available.

Got any more suggestions for books by Latine authors? Drop them in the comments!

Chilling Effect is in The Club

Six audiobook covers on a space background showing stars and part of a planet below. Text: Takes Place in Space. The Club | hoopla. The books are Countess by Suzan Palumbo, The Stars Too Fondly by Emily Hamilton, Chilling Effect by Valerie Valdes, Annihilation Aria by Michael R. Underwood, Wayward Galaxy by Jason Anspach and J.N. Chaney, and Star Shroud by Ken Lozito.

If you’re part of a book club that likes space opera, good news: Chilling Effect is (for now) one of Hoopla’s Book Club Selections!

The Club offers recommended audiobooks, eBooks, and comics and manga that libraries and patrons can use to host book clubs in person or virtually. All recommended titles from The Club are available on Hoopla Instant, so book club members can read or listen all at the same time with no holds or waiting. And starting this year, The Club is also available in Canada for the first time.

You can borrow Chilling Effect as an eBook or audiobook, whichever floats your spaceship. The other books shown in the image at the top are also great, especially Countess by Suzan Palumbo and Annihilation Aria by Michael R. Underwood. Check them out, too!

(This is old news to folks who are subscribed to my newsletter, but I figured it was worth dropping here as well for posterity and anyone who might have missed it the first time around.)

Time to take Flights (of Foundry)

Flights of Foundry logo

Flights of Foundry is an awesome, free* virtual convention held every year, and it’s coming up soon! From September 26-28th, there will be over 250 panels and presentations running pretty much nonstop.

This year, I’ll mostly be moderating a lot of cool stuff. You can also grab a ticket for my chill-n-chat, which has limited seating.

My schedule is on the Events page for reference, but here’s a more thorough look at what I’ll be up to, with descriptions:

September 26, 2025

  • 2pm ET: The Added Depth of Speculative World Building. A panel discussion on the skill and purpose behind speculative world building to add depth to character and theme, including why the speculative is uniquely suited to this as well as examples from publications.
  • 6pm ET: The Medium is the Messenger: Novel Characters versus Characters for Games. A panel discussion on the skill and purpose behind speculative world building to add depth to character and theme, including why the speculative is uniquely suited to this as well as examples from publications.
  • 11pm ET: How to Submit Short Fiction. You wrote/translated a thing! Now you’re looking for places to submit and there are so many magazines and anthologies. Panelists share tools and tips (and some appropriate cautions) from the trenches.

September 27, 2025

  • 2pm ET: Part of This World: Setting Your Story in Real World Locations. A panel discussion on what to include, exclude, change, and keep when writing stories set in real world locations with tips on how to research and examples from published stories.
  • 6pm ET: Romance in Games. What’s hot, what’s horny, and what’s tender and touching. Join our panelists for recommendations, discussion, shipping, and sipping all the tea about love, affection, attraction, and all things romance in games.
  • 8pm ET: We All Win Together: Cooperative Board Games. Not every game has to be competitive! Panelists discuss the joys of cooperative board games: what kinds are out there, which ones they love, and why it can be so much more fun to win together.

September 28, 2025

  • 12pm ET: Play Again to Find Out: Storytelling Through Iteration. While many games have a clear, mostly-linear plot, others instead have a story, world and characters that emerge only by replaying them over and over. Whether in a roguelike game (Hades), or an exploration/builder/puzzler (Blue Prince), or a logic mystery (Return of the Obra Dinn), we’ll discuss how video games can tell stories through iterative gameplay.
  • 5pm ET: Chill-n-Chat. A casual conversation covering any topic the attendees are interested in.
  • 7pm ET: Kaia Ball’s Contest Winner Showcase. Join us for 2024 contest winner Kaia Ball giving a reading and being interviewed by judge Valerie Valdes.

If anything changes, I’ll update the Events page accordingly. Whether you come to these panels or any of the many others, I hope you’re able to hop on some flights and have a great time!

*Flights of Foundry is hosted by Dream Foundry, a registered 501(c)3 non-profit that relies on donations to run the convention, Con or Bust, and contests for emerging writers and artists. You can absolutely attend the con for free, but if you can toss a coin to your Witcher, it’s extremely appreciated!

Witch You Would Day!

Photo of Witch You Would flanked by a wooden spoon, a rolling pin, and a slate on a swirly greenish background, purple background for the rest of the image. Text: September 2, 2025 9pm - 11pm ET. Launch Party. It's Party Time. Come celebrate the release of WITCH YOU WOULD with us! twitch.tv/thekidsareasleep

It’s finally here! Witch You Would is out today! Proliferation of exclamation points!!!

Thank you so much to everyone who boosted, pre-ordered, or is running out to a store today to grab a copy off a shelf; your support means the world to me. Double thanks if you tag me about it on socials somewhere. Seeing my book in the world, physically or digitally, is so surreal in the best possible way.

Reminder that tonight at 9pm ET, we’re celebrating on my Twitch channel! I’ll read from Witch You Would, answer questions, and have a secret surprise giveaway.

I’m also working on bookplates for folks who live in distant climes—more on that as it becomes available.

And if you happen to be a member of the Aardvark Book Club, Witch You Would is a September 2025 selection! You can request a copy as part of your monthly haul, along with some other extremely excellent offerings.

Now if you’ll excuse me, I have a sequel to write… See you tonight!

One week to Witch You Would!

Magician woman standing in front of a curtain throwing a deck of cards into the air, but almost all the cards have been replaced with the cover of Witch You Would
Sydney Sang from Pexels with some modifications

Time flies, much like a cartoon Elizabeth Montgomery on her broomstick. It’s been a million years since Witch You Would was announced, but now merely a single week remains until it comes out. To celebrate the release, join me on my Twitch channel on September 2nd at 9pm ET as I read from the book, answer questions, and have a secret surprise giveaway.

I’ve talked a bit about how this book started and how it evolved, and how the cover came together. What I haven’t talked about as much is the ways this book strikes a few personal chords for me.

Even when writers are writing about characters who are very different from ourselves, there are often still some core elements that, intentionally or subconsciously, reflect parts of us. We may not be holding up a full-length mirror, but we may be peering into a warped funhouse glass that exaggerates some qualities and minimizes others. We may be crafting silhouette portraits, or caricatures, or the darkest timeline versions of ourselves. We may even be Frankensteining parts together to create new wholes.

The two main characters in Witch You Would reflect a lot of my anxieties, and the ones I see in people around me. The fear of failure, of screwing up and not being able to fix it. The fear of being authentically yourself, only to be rejected because of who you are or aren’t. The fear of being stuck in the same dead-end grind with no way to improve your life. These are people who want to do more and be more, become better versions of themselves, and they’ve worked and lucked into having that chance—but it’s still not guaranteed, and that scares them.

So many people today don’t have the same opportunities, and are just getting by as best they can. We take risks, we hustle, we’re told we can do anything and be anything, and then reality kicks our asses. It’s a very millennial experience, I think, and one that younger generations are growing up in, maybe not realizing things weren’t always like this. And they don’t have to be, but there’s only so much we can individually do. We still keep trying, though, and passing around the hat with the same twenty bucks inside.

People who know me and my husband may also notice some shared elements in the romance and the vibe between the characters. I’m the overthinker who makes lists and nerds out about random stuff, my husband is the goofy performer always ready to drop a bad pun… and vice versa, to a certain extent. When high school superlatives were handed out, we were both voted Funniest; we’ve both made each other do a spit take, more than once. His task lists can get longer than mine, and he’s been known to go on deep research dives when buying a product the same way I do when I’m trying to get some tiny detail right in a book. But in the end, we’re a team. He’s definitely the one with the outrageous mustache, though.

Penelope and Gil both also feel responsible for continuing the legacy of their grandparents, in their own ways. The story of Penelope’s family in particular, especially who her abuela was and what she was like, is drawn from my own family history. My abuela lied about her age to get an education, worked her way through nursing school, and kept working even after she married a doctor and could have become a housewife instead. She supported our family when they emigrated from Cuba, and was a school nurse until she retired.

I have so many good memories of sitting in the kitchen, listening to her sing off-key while she cooked, learning how to make rice and beans or packing Cuban coffee into the cafetera. Watching her stick toothpicks through avocado seeds and coaxing them into sprouting on the windowsill. Like Penelope, I still have one of her cookbooks. Losing her to dementia was a long, slow journey that hurts to remember because of how vibrant she always was, and how she shrank into herself, that color and joy seeping away and fading. Writing a version of her into this book lets me remember the happy times, the bright times, as well as the sadder ones.

I could say more—about friendships, and siblings, and film people, and cafecitos, about kitchen fires and botanical gardens and the “real” Miami in all its myriad forms—but I should probably leave some things for you to discover when you read the book. You won’t have to wait much longer!